One of my acrylic pieces inspired by the traditional family portrait. In this contemporary approach,I was interested in playing with both the space around us, and the negativespace to imply a form.
I love the fact that the form you see is actually not there – what you see is the cut edges of the form that has been removed. The reliance on natural light means that this work changes depending on the time of day and the angle of view. It came about through my ongoing enquiry into ‘constancy and change’ in our being.